NADA RIZK

Nada Rizk

Multidisciplinary Designer | Beirut

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Nada Rizk is a Lebanese-Finnish multidisciplinary artist and designer based in Beirut. Working primarily with natural, earthy materials—particularly clay, marble, and bronze—she combines traditional craftsmanship with contemporary design approaches. She holds a degree in Visual Arts from the Académie Libanaise des Beaux-Arts (ALBA) and a Master’s degree in Politics and International Relations from the London School of Economics and Political Science (LSE).

Her hand-built and hand-altered sculptures are rooted in the natural world and informed by tales, legends, and cultural memory, with storytelling at their core. While deeply connected to her Lebanese heritage, her work also reflects a Nordic sensibility, evident in its restraint, materiality, and contemporary forms.

Rizk’s practice is driven by an intuitive process, often beginning with a simple natural form that develops into a personal narrative. She continues to investigate the intersections of art and design through experimentation with new forms, textures, and materials.

Her work has been exhibited internationally at venues including We Design Beirut, Design Doha Biennial, Beirut Design Fair, Beirut Art Fair, Sursock Museum (Salon d’Automne), House of Today Design Biennial, Paris Design Week, Carrousel du Louvre, Palazzo Priuli Bon, Venice, and institutions and galleries in Beirut and Helsinki. Her works are held in private collections and have been presented in international luxury showrooms, including Cartier worldwide since 2018.

Nicole Malhamé Harfouche, former Dean of Fine Arts at ALBA, has written of her practice:
“Les multiples recherches de Nada Rizk épousent les tenants d’un langage pictural contemporain. Elle s’y engage résolument et parvient à transgresser les acquis pour édifier l’ossature d’un mode d’expression autonome, original, et le porter à maturité.”

Neptune's cup series

Neptune's cup series. Image courtesy of the Designer

The Interview


What inspired you to pursue a career in design?
I pursued design because I have always been captivated by how objects shape our everyday lives. Growing up around art and craft, I learned that an object can hold memory, cultural identity, and purpose. Design became the language through which I express ideas, tell stories, and explore materials.

How does your cultural or regional context influence your design work?
My cultural and regional context is central to my design language. Growing up in Lebanon, I am surrounded by layers of history, craft, and material richness. These influences appear in my work through organic forms, tactile surfaces, and cultural references. I use earthy materials such as clay, marble, and bronze—deeply rooted in the region—transforming them into contemporary objects that echo heritage while speaking to the present.

Describe a project you're most proud of and why it's meaningful to you.
A project I am especially proud of is my 232 cm–high bronze totem, The Suns of Beirut. Inspired by a gold medallion in the Beirut National Museum, the totem is cast in bronze and anchored on a marble base. The piece reflects resilience, continuity, and the radiance of the city that shaped me. The totem can also function as a light fixture, transforming the work into a functional object.


Creating it allowed me to translate personal and collective emotions into an abstract form that feels timeless. Seeing it exhibited at Villa Audi, and witnessing how people connected emotionally to the work, affirmed my belief in the ability of design to hold meaning, memory, and hope.

What role do you think design plays in shaping communities and culture in the MENASA region?
Design plays a powerful role in shaping communities because it influences how people live, connect, and experience their surroundings. Good design can strengthen identity, preserve cultural memory, and create spaces or objects that bring people together. In regions like ours, design also becomes a form of healing—it can restore heritage, give new purpose to local materials, and foster a sense of continuity in times of change. By rethinking how we use resources, celebrating craft, and creating meaningful forms, design helps build communities that feel seen, empowered, and rooted in their own stories.

Works

NADA-RIZK

Images courtesy of the designer.

BIRD BRONZE SCULPTURE

Bird Bronze Sculptures, Image courtesy of the designer.

BIRD BRONZE SCULPTURE

 

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