LOUIS 2

Louis Barthélemy

Multidisciplinary Designer | Marrakech

Share with a friend

Louis Barthélemy is a multidisciplinary artist and designer based between Marrakech, Cairo and Paris. At the core of his practice is a deep commitment to the preservation and revival of traditional crafts that are threatened by globalization. Barthélemy not only collaborates with artisans around the world but helps to make their work known, safeguard their livelihoods, and pass on their precious expertise. It was as a French teenager growing up in London that he first began to travel through worlds and cultures. _Barthélemy_ could not get over the intricate workmanship of the samurai armour on display at the Victoria and Albert Museum, and became obsessed with the British Museum’s Egyptian collection, dragging his parents along weekend after weekend to stare in wonder at the Rosetta Stone. While enrolled in the fashion design course at Central Saint Martins, Barthélemy began to work with Dior as a scarf designer.

For four years he juggled Paris with London, office work with study time, finally graduating in 2012 with a collection in which he imagined 19th-century femme fatale Countess Castiglione waking up in the 1970s to become the toast of the Palace, a pioneering decadent Parisian nightclub. Although he continued to design prints and scarves for Salvatore Ferragamo and Gucci after John Galliano’s departure from Dior, Barthélemy became increasingly disillusioned with the fashion industry.

After a health scare which reset his priorities and provoked a hunger for authentic, human experiences, he established himself in Marrakech, a city whose gentle energy he admires, and began to travel the world in earnest. A love affair that took the young artist and designer to Cairo in 2017 soon ended, but not so Barthélemy_’s fascination with Egyptian culture and crafts, which would lead to collaborations with traditional artisans in Cairo, the Nile Delta and the remote Berber oasis town of Siwa. Further creative partnerships followed with craftspeople working in a variety of mediums in Morocco, Lebanon and Syria. “I am attracted to regions of the world where people know that their lives hang by a very slender thread”, Barthélemydeclares. “Everything worthwhile follows from this: trust in fate, belief in friendship, an instinct for kindness and the appreciation of beauty. I try to embed this lesson in everything I make”.

Gazelles

Gazelles. Image courtesy of the Designer

The Interview


What inspired you to pursue a career in design?
My path into design emerged naturally from my fascination with craftsmanship. After years in the corporate fashion world, I realized how deeply I was drawn to the artisans I met across North Africa and the Middle East, their mastery, generosity, and the emotional power of their techniques. Design became the way to bring together drawing, storytelling, and these living traditions..

How does your cultural or regional context influence your design work?
My work is rooted in the places where I live and travel : Egypt, Tunisia, Morocco, West Africa, and Central Asia. Their textile and craft legacies, mythologies, and architectural motifs constantly nourish my practice. Rather than borrowing, I aim to create contemporary pieces that enter into dialogue with these traditions and celebrate their vitality..


What is your design philosophy or approach to creative problem-solving?
My installation Fantastic Creatures of the Silk Road for the Bukhara Biennale on the outter walls of a XVIth century mosque is especially meaningful. Created with ganj master Abdurakhim Umarov, it unites ancient plaster techniques with contemporary hybrid creatures inspired by Arcimboldo and Persian miniatures. It embodies everything I care about: collaboration, heritage, and reinvention.


Describe a project you're most proud of and why it's meaningful to you.
I deeply admire Alighiero Boetti for his conceptual approach and his dialogue with artisans, and Ramses Wissa Wassef, whose philosophy of freeing the hand and empowering young weavers resonates profoundly with me. But above all, the people who truly inspire me are the craft masters themselves, their knowledge, patience, and the cultural and historical contexts in which their techniques evolved. They are my real mentors, and collaborating with them continues to shape my understanding of design..

Who are your design influences or mentors, and how have they shaped your work?
I’ve always been drawn to designers and artists who work closely with material, narrative and form, for example Isamu Noguchi, Saloua Raouda Choucair, Carlo Scarpa, Louise Bourgeois, Niki de Saint Phalle, Henry Moore, there are many! But my strongest influences come from lived experience, from craft cultures, and from the physical engagement with materials rather than traditional mentorship.


What role do you think design plays in shaping communities and culture in the MENASA region?
Design can strengthen cultural identity by giving visibility and purpose to traditional crafts. When approached respectfully, it becomes a bridge between generations and geographies, offering communities new economic and creative opportunities while preserving their heritage..


How do you stay inspired and continue to evolve your creative practice?
Travel and immersion keep me inspired. Long stays in Cairo, Mahdia, Siwa, Marrakech, and Bukhara allow me to learn directly from artisans and landscapes. I try to absorb the spirit of each place : listening to its stories, observing daily life, connecting it with my own readings and iconographic research. Studying vernacular architecture, engaging with mythology, and letting these impressions settle “in my flesh” continually renew my creative energy and keep my practice evolving.

Works

Nubian Bromance

Images courtesy of the designer.

Barthelemy

 

Huma

 

← See other designers