Georges Mohasseb

Georges Mohasseb aims to create a limited edition of timeless designs, maintaining a strong degree of craftsmanship and a complex expression of materials through their co- lour, shape, texture and smell. The work is mainly inspired by forces of nature which can shape natural elements. The presence of wood is always prominent in many of Georges’ designs, due to its connectivity, liveliness and texture. Mohasseb holds a Master’s degree in Architecture and Design from the Catholic University of America and he opened his first practice in 1998. In the early 2000’s he moved to Washington DC, before continuing his studies at Ecole Boulle in Paris. It’s in Paris that in 2008 he opened his first practice. Then he moved to Beirut in 2011, where he continues to head Studio Manda. His creations have been displayed and selected for several international institutions and exhibitions, including Nomad Venice 2019 with Carwan gallery; with Galerie Gabriel & Guillaume in NYC for Salon 2019; with Galerie Gosserez, PAD, Paris, 2019; Collect, House of Fly, Lon- don, 2019; Carwan Gallery at Nomad, Monaco and St Moritz, 2017; House of Today, Beirut, 2016; London Biennale, 2016; and PAD, Paris, London, 2013 and 2014

The Interview

What inspired you to pursue a career in design?
My path into design grew from a fascination with the dialogue between concept, material, and craftsmanship. From a young age, I was drawn to how objects carry meaning — how a simple detail or curve can communicate emotion. Over time, this curiosity evolved into a desire to create pieces that are not only functional, but poetic. The pursuit of beauty, honesty in materials, and the pleasure of making by hand naturally led me into furniture and object design.

How does your cultural or regional context influence your design work?
Being from the Middle East, my work is inevitably shaped by a region rich in craftsmanship, material diversity, and layered histories. Lebanon, especially, is a place where imperfection and resilience coexist — and that duality enters my work. I draw from organic forms, natural materials, and traditional techniques, but reinterpret them in a contemporary, often minimalist, language. My designs become a hybrid: rooted in regional craft yet speaking to a global audience

What is your design philosophy or approach to creative problem-solving?
My approach begins with observation and intuition. I look for the emotional resonance of a project before solving its technical constraints. At Studio Manda, we move through a sequence: inspiration, sketching, studying proportions, 3D modeling, miniature models, artisan collaboration, and finally production. Creativity, for me, comes from balancing concept with material honesty — allowing the material to guide the form, and letting the making process refine the idea. Each piece must feel both spontaneous and deeply considered.

Describe a project you're most proud of and why it's meaningful to you.
Many pieces hold personal meaning, but my most significant works are those where material and narrative come together effortlessly — where the object feels inevitable. Projects created through deep collaboration with artisans are especially meaningful. The process — from the first spark to the prototype, to the final photoshoot — embodies the full cycle of making that defines Studio Manda. These pieces are not just products; they are evidence of a dialogue between idea, hand, and material.

Who are your design influences or mentors, and how have they shaped your work?
My influences are multidisciplinary — from architects who work sculpturally to artists who challenge the boundaries of form. Rather than following a single mentor, I learned from craftsmen, makers, and artisans across different cultures. Their respect for material, patience, and technique taught me that design is not just about ideas; it is about honoring the process of making. This hands-on wisdom deeply shaped my practice at Studio Manda

What role do you think design plays in shaping communities and culture in the MENASA region?
Design holds the power to create identity, preserve culture, and influence behavior. Thoughtful design can bring people together, elevate everyday experiences, and encourage a deeper appreciation for materials and craftsmanship. In many ways, design is a cultural storyteller — it captures values, aspirations, and collective memory. When integrated consciously, it can help communities reconnect with their heritage while moving forward with clarity and intention.

How do you stay inspired and continue to evolve your creative practice?
I stay inspired by remaining close to the act of making. Experimentation in the workshop — testing materials, building prototypes, working with artisans — constantly opens new paths. Travel, nature, and architecture also fuel my imagination. But above all, evolution happens by being curious, by embracing new technologies while protecting the sensuality of handmade craft, and by challenging myself to rethink what a piece of furniture can emotionally express.

What are the biggest challenges facing designers in the MENASA region today?
Designers in the MENASA region face several challenges: Limited industrial infrastructure, making production complex and often expensive. Economic and political instability, which affects continuity and long-term projects. A lack of strong institutional support* for design education, research, and innovation. Difficulty accessing specialized materials and manufacturing technologies. The need to balance tradition and modernity, while creating work that is globally competitive but regionally rooted.

The Interview

Works

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